front cover of
Borislav Pekic
Northwestern University Press
Borislav Pekic spent six years in jail as a political prisoner, his only reading material the Bible. In 1965, ten years after his pardon, his first novel, The Time of Miracles, was published and became an overnight sensation. A set of parables based on the miracles of the New Testament, the book rewrites the story of Jesus from the perspective of Judas (who is obsessed with the idea prophecy must be fulfilled) and from that of the individuals upon whom miracles were performed--without their consent and, in most cases, to their eventual dissatisfaction. Filled with humor and poignancy, The Time of Miracles is a trenchant commentary on the power of ideology in one's life, upon what it means to hold beliefs, and upon the nature of faith.
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front cover of
Borislav Pekic
Northwestern University Press
The Houses of Belgrade, first published in 1970, draws a parallel between the unrest culminating in the Belgrade student riots of 1968 and that at two earlier points in the history of Yugoslavia: the riots which preceded Germany's 1941 attack on Belgrade and the turmoil of Serbia's entry into WWI. Pekic relates his tale through Negovan, one of Belgrade's prime builders of houses, and through the metaphor of the gradual decline of the builder's mind presents a compelling look at the fear of loss and destruction in a chronically disrupted society.
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front cover of The Apology and the Last Days
The Apology and the Last Days
A Novel
Borislav Pekic
Northwestern University Press, 2012

Originally published in 1975, The Apology and the Last Days is the final volume in a trilogy of novels—also including The Rise and Fall of Icarus Gubelkian and How to Quiet a Vampire—about the aftermath of World War II, by Borislav Pekić, one of the former Yugoslavia’s most important postwar writers. The narrator tells his story from prison, where he is serving time for the murder of a former Nazi official. As the novel unfolds, we learn that the victim was the same person whom the narrator, while a lifeguard during the war, saved from drowning, thus making him vulnerable to charges of collaboration. In this tragicomic tale, Pekić explores eternal questions of fate and individual responsibility.

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front cover of How to Quiet a Vampire
How to Quiet a Vampire
A Sotie
Borislav Pekic
Northwestern University Press, 2005
The disquieting novel How to Quiet a Vampire is a rumination on terror and intellect in the tradition of Joseph Heller and George Steiner. Published to acclaim in 1977, Pekic's novel of ideas follows Konrad Rutkowski, professor of medieval history and former Gestapo officer, as he returns to the scene of his war crimes determined to renounce, or perhaps justify, his Nazi past. In a series of letters, Rutkowski lays out his ambivalent reactions to war and violence, connecting his own swirling ideas to those of the major figures of European thought: Plato, St. Augustine, Descartes, Nietzsche, Freud, and others.

Delving far deeper than mere intellect, however, Borislav Pekic was himself a frequent political agitator and occasional prisoner, and he drew on his first hand knowledge of police methods and life under totalitarianism to paint a chilling portrait of a supposedly free-thinking intellectual acting in the service of repression. At the same time he questions whether Rutkowski's ideology puts him outside the philosophical tradition he so admires—or if the line separating European thought from totalitarianism is not as clear as we like to think.
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